Take advantage of this unique opportunity to see my best writing to date. This collection, though short, packs a wallop. If you have a chance, check it out. NO RISK. COST YOU NOTHING.
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Chris McClelland, multiple award-winning short story writer and novelist, also sometime writing coach
Chris McClelland's World War Two Romance, IN LOVE AND WAR named a #2 Best Selling YA military fiction e book by Amazon! Star-crossed lov...

Wednesday, October 18, 2023
Wednesday, October 4, 2023
Blog #102; Free Giveaway, multiple books
For the next two days, help yourself to multiple free books by the award-winning Chris McClelland.
Friday, September 15, 2023
Monday, September 11, 2023
Blog #100; update on Flash Fiction; historical fiction; some misapprehensions regarding my religion
Hi, all! Just wanted to check in on my 100th blog entry on this website!! The time has passed swiftly, and it is hard to believe I have done 100 of these things. I have recently produced some short-short fiction pieces with themes of combat/violence and mental illness. The trauma that informs these pieces is taken from real life experiences and I have really been enjoying the writing process lately. Like the late Neal Peart of the rock band Rush says, "How the words would flow with passion and precision." Well, that's what I have been feeling like lately when I write. The stories of course are grounded on actual experience, if also fiction in nature and character.
Tuesday, August 29, 2023
Blog #99; In Memorium, Michael Curtis, fiction editor of the Atlantic
The other day I did something I rarely do anymore. I googled an editor-friend from back in my active
days in the academic/literary publishing world. I had tried to get in touch with him a couple of times,
but he seemed incommunicado. Well, I found out that Michael Curtis passed away this January. He,
especially in the early days of a correspondence that lasted almost thirty years, taught me much about
writing stories, and about writing as a craft to incrementally master. For that I will always be grateful.
He first started writing me back in 1992, and I saved every one of the dozens of rejection letters he sent
back. At first, it was just a sentence or two, just suggestions. As time went on the sentences grew to
paragraphs, and Mike exhibited a warmth, and a solid encouragement, and for that I will always be
grateful, too. I got to meet him twice during this time of correspondence; once at Rollins College in
Winter Park, Florida, where he was giving a talk to the writing students set up by our mutual friend, Phil
Deaver. The other time was in Columbus, Ohio, at a workshop. He was understanding about my
emotional awkwardness in those early stories, and taught me to fashion the discomfort into
vulnerability and compassion.
When I moved out West to be with my wife Erin in Utah, we started up a literary magazine. Of course,
the first person I thought of when considering who to interview was Mike. The back and forth turned
out to be very fruitful, and as a result, a new vision of how to approach fiction writing opened up to me
as a writer. Mike was gracious, as always, giving gems of advice freely as the interview went on. A few
years ago, he stepped down from The Atlantic, and, of course, that ended an amazing apprenticeship
with him, as the incoming fiction staff had different plans for the magazine. I miss his notes, towards
the end hand-written and warm and personal. It was an honor to have worked with him, and to have
learned by his hand.
Blog #98; A Vigorous Argument for Interesting, Compelling Fiction
A story, more than anything, must be alive. It must have a pulse and driving emotion that hooks the reader into the narrative. As more time goes by and I find myself further distanced from the academic, "literary" world, it becomes more clear to me what makes great fiction in my own mind. Unlike what I have heard in some academic circles, it is not a prerequisite that to be admired a work must put the reader to sleep. It is actually very freeing to read someone like Harlan Coben or Stephen King and enjoy it for the pure storytelling aspect, the propulsive drive from page to page, the addictive compulsion to keep turning pages.
Reading such a book is indeed satisfying an addiction and in a way that I would say is much healthier than most addictions. With my wife, I currently belong to The Book of the Month Club, and good reads abound there. The most recent novel I have read came from there, SHE STARTED IT, a deliciously twisted plot line of a British book, where a wronged high school outsider and talented artist gets her revenge on four bullies ten years later at her hen party.
I am also exploring William Styron's nonfiction, and quite frankly, I have been given a revised point of view on that work too. His "Darkness Visible" will always be my favorite work of his, followed closely by SOPHIE'S CHOICE, but most of the collection of his nonfiction that I read dealt mostly with current affairs of his day and the literary social life of Manhattan. I find it best to stay warily awake regarding the "woke" movement of contemporary fiction. I mostly stick to historical fiction.
Enough said on that topic. I have looked at my late friend and mentor Phil Deaver's work, particularly how his work is faring posthumously. I told Phil while he was still alive that I would do all I could to preserve his literary legacy. I don’t know what his family and other loved ones feel about preserving his work. I imagine the warm-hearted, generous-spirited man that his memory bequeaths to us is what ultimately lives on, both in his published work and his private moments with family and friends.
Saturday, August 12, 2023
Blog #97; A Number of Random Thoughts About Life and Literature; Book Giveaways this Month
I have been down lately, not only because so many people I know and love have died in the past few years. I no longer dream of achievement or success on a material, or reputational, level with mainstream or literary publishers, but that leaves me feeling that my pursuit of writing is somehow disillusioned. I decided a long time ago, years ago now, to focus on self-publishing, so that I have taken myself out of the running of being respected as a fiction writer. It all just saddens and confuses me. I have my own little corner of the Mormon literary world, and that is fruitful in what I read and write. Dean Hughes' Children of the Promise series is magnificent, and I hope to meet him in person some day. I think some of my historical fiction work may have a chance with LDS, or other Christian/inspirational type publishers, but I don't have a full book manuscript to show them.